PRIVATE COLLECTION
Carefully curated over years, this rare assemblage features exceptional collectibles spanning fine art, limited editions, and historically significant pieces. Each item reflects a discerning eye for craftsmanship, provenance, and cultural value—making this release a unique moment for serious collectors and enthusiasts alike.
Whether you’re expanding an established collection or acquiring a standout centerpiece, these rare offerings represent both artistic legacy and investment potential.
Explore the collection.
This medium-sized Roman stone head likely once formed part of a larger statue depicting an important individual—perhaps a civic official, wealthy patron, or imperial figure. Carved in stone, the sculptor focused on carefully rendered facial features, conveying both realism and authority. Roman portrait sculpture often emphasized distinctive traits such as wrinkles, strong brows, or closely cropped hair to communicate character and status. Although the body of the statue is no longer present, the surviving head still reflects the Roman interest in individuality and public identity. Such portraits were commonly displayed in public spaces, villas, or funerary contexts, where they reinforced social memory and the prestige of the person represented.
Measurements: Height: 7 in, Length: 12 in
Weight: 2.6 lb
Material: Natural Wood
Disclaimer — As many of our items are vintage or made by hand from natural wood, natural variations, markings, and signs of age are part of their unique character.
The Traditional African Bambara N’Tomo Marks Mask from Mali is a significant cultural and artistic object created by the Bamana (Bambara) people of West Africa. These masks are deeply connected to education, spirituality, and social structure within the community.
The N’Tomo mask is used in initiation ceremonies for young boys as they begin their journey into adulthood. It belongs to the N’Tomo society, which is the first stage in a series of initiation groups that teach moral values, discipline, and knowledge about the world. During these rites, the masks are worn in dances and performances that help instruct initiates about their roles in society.
Visually, the mask is carved from wood and features a stylized human face with geometric forms, often including a prominent nose and small mouth to symbolize restraint and discipline. One of its most distinctive features is the row of vertical projections or “horns” on top. The number of these spikes carries symbolic meaning—representing gender, spiritual concepts, or stages of knowledge.
These masks are not just decorative; they serve as teaching tools and embody cultural beliefs. They may also include elements like antelope figures or human forms, reflecting the Bambara people’s connection to agriculture, nature, and social ideals.
Overall, the Bambara N’Tomo mask represents growth, learning, and the transmission of tradition, making it an important symbol of identity and heritage in Mali.
Measurements: Height: 7 in, Length: 12 in
Weight: 2.6 lb
Material: Natural Wood
Disclaimer — As many of our items are vintage or made by hand from natural wood, natural variations, markings, and signs of age are part of their unique character.
Dogon peoples, Central Mali
Wood, patina
20th century
This medium-sized Omono mask represents the white monkey, one of the sacred animals in the Dogon pantheon. The mask is distinguished by three raised, stylized vertical lines converging toward the chin, teardrop-shaped eyes, and the absence of a mouth. Its plain wood surface, enriched with a deep patina from ritual use and handling, enhances the mask’s presence. A small carved beard accentuates the lower edge.
Among the Dogon, monkey masks were worn in masquerades linked to funerary rites and social renewal, symbolizing both mischief and mediation with the spirit world. The white monkey in particular carried associations of unpredictability and sacred power, reflecting the Dogon’s complex cosmology.
Measurements: Height: 12in, Length: 4in, Width: 7in
Weight: 1.2lb
Material: Natural Wood
Disclaimer — As many of our items are vintage or made by hand from natural wood, natural variations, markings, and signs of age are part of their unique character. This piece features two holes either side as a means to attach the mask to the face/head.
Vintage Maasai Stool Tanzania
This is a very old authentic Maasai stool, That I traded from a Maasai herdsman in the Gol mountains in the Serengeti in Tanzania in 1994. His photo shown.
It has a circular seat and three legs The seat has been highly polished over years of use and the underside is rough and dusty. It has been preserved in its original condition as a genuine artifact of Maasai cultural tradition.
Maasai stools are portable, carved wooden seats typically made from a single piece of hardwood with a circular or angular top with four or three legs. They are essential tools for the nomadic Maasai people, serving not just as a seat but also as a significant symbol of status, authority, and a participant in cultural ceremonies like initiations and weddings.
Hardwood circa mid to late 20th Century
Measuring approximately:
Height 20cm x Seat diameter 27cm x Seat depth 3cm x Leg diameter 3cm
Measurements: Height: 8in, Length: 11in, Width: 11in
Weight: 4.4lb
Material: Natural Wood
Disclaimer — As many of our items are vintage or made by hand from natural wood, natural variations, markings, and signs of age are part of their unique character.
Antique traditional African tribal art piece from Mali, specifically a Bamana Hyena Mask. The mask is made of wood with a dark wood tone color, measuring 16 inches in height and 6 inches in width. It is an original creation by the Bamana people, known for their skilled craftsmanship. This unique piece showcases the intricate design and cultural significance of African tribal art, making it a valuable addition to any collection or display.
Measurements: Height: 7 in, Length: 12 in
Weight: 2.6 lb
Material: Natural Wood
Disclaimer — As many of our items are vintage or made by hand from natural wood, natural variations, markings, and signs of age are part of their unique character.
This unique, one-off furniture piece has been thoughtfully designed and meticulously handcrafted by Louys, embodying a seamless blend of artistry and function. Every detail reflects a commitment to originality, with no two elements replicated, ensuring its place as a truly singular creation. From the careful selection of materials to the precision of its construction, the piece showcases Louys’ distinctive design language and dedication to craftsmanship, making it not just furniture, but a statement of individuality and timeless design.
This rare carved bag statue exemplifies the refined sculptural traditions of West African ceremonial art. The figure is distinguished by its compact, architectural body supported by four short legs and surmounted by a powerful head with an elongated beak-like profile, suggesting a symbolic connection between human and animal forms. Carefully incised geometric patterns frame the face and coiffure, emphasizing rank, identity, and spiritual authority. The dark patina, developed through age and ritual handling, enriches the sculpture’s surface and highlights the subtle modeling of the torso and limbs. Works of this type were often associated with prestige objects or ritual containers, serving both functional and symbolic roles within elite or sacred contexts. Today, examples of this form are highly sought after for their striking abstraction, balance of volume, and the way they encapsulate the spiritual and aesthetic sophistication of traditional African carving.
Measurements: Height: 7 in, Length: 12 in
Weight: 2.6 lb
Material: Natural Wood
Disclaimer — As many of our items are vintage or made by hand from natural wood, natural variations, markings, and signs of age are part of their unique character.
A carved wooden figure of a naked woman, seated with her hands on her knees. With carved detail including a cross around her navel. On a four legged stool. 65 cm high.
Measurements: Height: 7 in, Length: 12 in
Weight: 2.6 lb
Material: Natural Wood
Disclaimer — As many of our items are vintage or made by hand from natural wood, natural variations, markings, and signs of age are part of their unique character.
This is a striking ritual sculpture from the Liberia, attributed to the Grebo people.
The figure’s most distinctive feature is its large, shield-shaped head with four projecting eyes—a hallmark of Grebo carving. These tubular or knob-like eyes are not meant to be naturalistic; instead, they likely symbolize heightened vision or spiritual awareness, enabling the figure to “see” beyond the physical world.
The elongated body with simplified anatomy and hands placed at the torso reflects a stylized human form, typical of West African ritual sculpture. Such figures were often used in ceremonial or protective contexts, possibly linked to secret societies or spiritual practices.
At 92 cm tall, this is a relatively substantial example. The note about missing feathers suggests it may originally have included additional materials (like feathers or fibers), which were commonly added to enhance its ritual power and visual impact.
Condition-wise, “normal wear” is expected for an object of this age and use, and can even support authenticity, especially in ethnographic art.
A signed Erik De Graaff (Nigerian, b. 1951) vintage post‑modern chair, thoughtfully preserved and showcasing distinctive form and era‑defining character.
Fully Assembled Measurements: Height (highest point): 28in, Length (widest point): 12in, Width (widest point): 43in
Weight: 15lb
Material: Natural Wood
Disclaimer — As many of our items are vintage or made by hand from natural wood, natural variations, markings, and signs of age are part of their unique character.
A rare statue from the Baga people of coastal Guinea exemplifies the distinctive aesthetic and spiritual vision of one of West Africa’s most influential artistic traditions. Carved in dense hardwood and often bearing a rich, hand-worn patina from ceremonial use, Baga figures such as this are deeply rooted in ancestral worship and agricultural rites, serving as focal points for offerings and communication with the spirits of the lineage. Their elongated forms, pronounced facial features, and stylised coiffures reflect a sophisticated visual language that embodies ideals of beauty, fertility, and social continuity, while the refined balance of form and surface attests to the sculptor’s mastery. These statues are exceptionally rare outside their original cultural context and are prized by collectors and museums alike for both their ritual significance and their powerful sculptural presence.
Measurements: Height: 21.5in, Length: 30in, Width: 20in
Weight: 13lb
Material: Natural Wood
Disclaimer — As many of our items are vintage or made by hand from natural wood, natural variations, markings, and signs of age are part of their unique character. This piece in particular does feature a few cracks due to age.
The African Senufo Stool is a traditional wooden seat created by the Senufo people of West Africa, primarily in regions of present-day Ivory Coast, Mali, and Burkina Faso. Carved from a single piece of wood, these stools are both functional objects and symbols of social identity. In Senufo culture, stools are closely associated with status, ancestry, and community leadership, and they may be used during ceremonies or important gatherings. The design often features a curved or slightly concave seat supported by sturdy legs, sometimes decorated with subtle geometric patterns or sculptural forms. Beyond their everyday use, Senufo stools embody the artistic skill of local carvers and reflect the deep cultural value placed on craftsmanship, heritage, and the connection between people and their ancestors.
Height - 46cm, Width - 69cm, Depth - 44cm
Measurements: Height: 7 in, Length: 12 in
Weight: 2.6 lb
Material: Natural Wood
Disclaimer — As many of our items are vintage or made by hand from natural wood, natural variations, markings, and signs of age are part of their unique character.
Dogon peoples, Central Mali
Wood, patina
20th century
This medium-sized Omono mask represents the white monkey, one of the sacred animals in the Dogon pantheon. The mask is distinguished by three raised, stylized vertical lines converging toward the chin, teardrop-shaped eyes, and the absence of a mouth. Its plain wood surface, enriched with a deep patina from ritual use and handling, enhances the mask’s presence. A small carved beard accentuates the lower edge.
Among the Dogon, monkey masks were worn in masquerades linked to funerary rites and social renewal, symbolizing both mischief and mediation with the spirit world. The white monkey in particular carried associations of unpredictability and sacred power, reflecting the Dogon’s complex cosmology.
Measurements: Height: 14in, Length: 12in, Width: 8.5in
Weight: 3.5lb
Material: Natural Wood
Disclaimer — As many of our items are vintage or made by hand from natural wood, natural variations, markings, and signs of age are part of their unique character. This piece features two holes either side as a means to attach the mask to the face/head.
An extraordinary Antique West African Wooden Statue, carefully handmade with exquisite craftsmanship, showcasing the skill and artistry passed down through generations. This rare piece is not only a testament to the cultural traditions and spiritual practices of the region but also a striking work of art in its own right. Its intricate detailing and natural patina speak to its age and authenticity, adding character, history, and timeless elegance to any space. Whether displayed as a centerpiece in a collection or as a statement piece in home décor, this statue offers both aesthetic beauty and cultural significance.
Measurements: Height: 20.5in, Length: 3.5in Width: 4in
Weight: 0.8lb
Material: Natural Wood
Disclaimer — As many of our items are vintage or made by hand from natural wood, natural variations, markings, and signs of age are part of their unique character. This particular piece has been preserved over time, however, it does feature a side and back split.
Hornbill statues are used ritually by the Senufo people of northern Ivory Coast and southern Mali. Most of the animals and birds in the environment in which the Senufo and other similar tribes live are venerated for their contribution to the lives of the individuals and the community. This statue is a contemporary replica of the original allowing the artist to exhibit his creativity through the addition and manipulation of some stylistic elements: The basic form of the statue, as in the traditional figures, is the actual bird, the hornbill.
This figure measures:
30 1/2 x 17 x 8" (77.5 x 43 x 20 cm)
Fang peoples, Gabon (also Equatorial Guinea, Cameroon)
Wood, kaolin (white clay)
Late 19th–early 20th century
This striking elongated mask, coated in white kaolin, was worn by members of the Ngil society, a male initiation and judicial association among the Fang. The mask’s narrow eyes, high forehead, and serene yet imposing expression evoked the authority of ancestral spirits.
Appearing in nocturnal ceremonies, Ngil members confronted sorcery, upheld moral order, and initiated new members. The white surface signified the world of the ancestors, purity, and spiritual power, while the mask’s austere form commanded both awe and fear.
Measurements: Height: 19in, Length: 5.5in, Width: 8in
Weight: 1.8lb
Material: Natural Wood
Disclaimer — As many of our items are vintage or made by hand from natural wood, natural variations, markings, and signs of age are part of their unique character.
"Lyndhurst"
Signed Artwork
594mm x 420mm
Print. 300gsm photographic quality paper. No frame.
Measurements: Height: 7 in, Length: 12 in
Weight: 2.6 lb
Material: Natural Wood
Disclaimer — As many of our items are vintage or made by hand from natural wood, natural variations, markings, and signs of age are part of their unique character.
This book captures Louys’s vision for Aime-Moi Bleu, weaving together design, art direction, and family life. It presents a curated dialogue between eras, where vintage treasures meet contemporary style, each piece reflecting character, history, and artistry, and embodying timeless elegance.
Measurements: Height: 7 in, Length: 12 in
Weight: 2.6 lb
Material: Natural Wood
Disclaimer — As many of our items are vintage or made by hand from natural wood, natural variations, markings, and signs of age are part of their unique character.
African stone Shona sculpture by Vanessa Rangisse from the 1970s.
Rectangular basic shape, color accents of the stone are incorporated into the shape of the sculpture. With a handwritten signature on the back: V. Rangisse.
Measurements: Height: 6in, Length: 1.5in, Width: 2in
Weight: 2.5lb
Material: Marble
Disclaimer — As many of our items are vintage or made by hand from natural wood, natural variations, markings, and signs of age are part of their unique character.
An elegant example of Senufo craftsmanship, this folding chair features a sculpted backrest carved with a stylized motif characteristic of Ivory Coast woodwork. The seat and frame display the functional simplicity of traditional folding designs, while the back's relief carving—rendered in flowing geometric and anthropomorphic elements—anchors the piece in the region's iconographic language. Warm patina and tool marks indicate age and handwork; the joinery suggests it was made to be disassembled and transported, reflecting the mobility valued in many West African communities. Dimensions, wood type, age, and provenance would clarify its cultural and market context, but as presented it exemplifies a utilitarian object elevated by carved symbolism and practiced technique.
Measurements: Height: 7 in, Length: 12 in
Weight: 2.6 lb
Material: Natural Wood
Disclaimer — As many of our items are vintage or made by hand from natural wood, natural variations, markings, and signs of age are part of their unique character.
RARE CERAMIC CANDLE HOLDER BY LIISI BECKMANN FOR GABBIANELLI, 1960s
Condition: Excellent vintage condition. No chips, cracks, or repairs. Light signs of age consistent with careful use and display — minor surface wear on base. Cleaned and ready to display.
Description:
Designer: Liisi Beckmann
Manufacturer: Gabbianelli (Italy)
Date: 1960s
Material: Glazed ceramic
Color: Warm ivory with subtle glaze variations; interior shows soft golden-beige tone
Dimensions: Height 6.5 in (16.5 cm) × Width 4.5 in (11.5 cm) × Depth 4.5 in (11.5 cm)
Weight: Approximately 1.1 lb (500 g)
Details: This rare ceramic candle holder is an iconic example of Liisi Beckmann’s sculptural approach to functional objects during her time in Italy. Produced by Gabbianelli in the 1960s, the piece pairs organic, architectural form with a refined glaze finish. Its sculpted silhouette suggests midcentury modern and Italian modernist influences; the hollow center and tapered cavity are designed to hold a standard taper candle securely while creating an elegant play of light and shadow.
Marks: Underside impressed with Gabbianelli mark and handwritten artist/model numbers consistent with period production.
Provenance: From a private midwestern collection. Acquired directly from an estate sale of a North American design collector.
Care:
For display only with dripless or well-fitted candles; use a candle cup or protective insert if burning candles to avoid wax contact with ceramic.
Clean with a soft, dry cloth. Avoid abrasive cleaners and prolonged exposure to water.
Why collect: Liisi Beckmann is celebrated for merging bold form and quiet functionality. This Gabbianelli-produced candle holder is a scarce, expressive example of 1960s Italian ceramic design and a strong addition to collections of midcentury decorative arts, designer ceramics, or works by women designers of the period.
Price: Available on request. Shipping and insurance calculated at checkout. International shipping handled with professional packaging and tracking.
Measurements: Height: 7 in, Length: 12 in
Weight: 2.6 lb
Material: Natural Wood
Disclaimer — As many of our items are vintage or made by hand from natural wood, natural variations, markings, and signs of age are part of their unique character.
The Jean Prouvé Cafeteria Chair, designed in the 1930s by the French architect and engineer Jean Prouvé, exemplifies industrial elegance with its utilitarian form and durable construction. Characterized by a stamped steel seat and backrest mounted on a folded steel-frame base, the chair combines functionality with refined detailing—visible in its slender proportions, gently curved back, and exposed rivet joints. Originally conceived for communal dining in factories, schools, and public institutions, it reflects Prouvé’s commitment to mass-producible, affordable furniture without sacrificing comfort or visual harmony. Finished typically in enamel or lacquered paint, the chair’s modest palette and robust materials have allowed it to age gracefully; today it is sought after by collectors and designers for both vintage authenticity and contemporary interiors that favor minimalist, industrial aesthetics.
Primitive African Tribal Grebo 4 Eyes Mask -- Liberia ADE6
Weight :340g
Length :62cm
I combined postage for multiple purchase.
This is a pre - owned Mask.
Folding armchair, Luisa model, designed by Marcello Cuneo in 1972 and produced by the Italian firm Mobilia.
The entire structure is made of chromed metal, and the seat is cowhide leather, as is the cushion, which is fastened with leather straps. The materials and lines are inspired by the legendary Barcelona chair by Mies van der Rohe.
Measurements: Overall height: 90 cm, seat height: 40 cm, width: 67 cm, depth: 87 cm.
This rare West African mask, standing approximately 30 cm high, exemplifies the refined artistic language and ritual power of traditional mask cultures across the region. Carved from a single piece of hardwood and showing a time-worn patina, its elegant proportions and expressive features reflect both aesthetic intention and ceremonial use. Masks of this scale were often worn during initiations, harvest festivals, or storytelling performances, serving as conduits between the human and spirit worlds. The subtle modelling of the face and careful surface wear attest to generations of handling and sacred use, giving the object not just visual presence but historical resonance. Its rarity and exceptional condition make it a prized example of West African sculptural tradition, embodying cultural depth and enduring artistic mastery.
Measurements: Height: 18.5in, Length: 5in, Width: 7in
Weight: 1.5lb
Material: Natural Wood
Disclaimer — As many of our items are vintage or made by hand from natural wood, natural variations, markings, and signs of age are part of their unique character.
This elegant stone head represents Hygeia, the ancient Greek personification of cleanliness, sanitation, and preventive medicine. The sculpture captures an idealized, serene expression, with softly defined features and gently parted lips that evoke calm and balance—qualities closely associated with well-being. Her hair is rendered in delicate, wavy strands, gathered and structured in a style typical of classical Greek artistry. Though only the head survives, the work conveys a sense of harmony and refinement, reflecting the broader aesthetic values of antiquity, where physical beauty and health were deeply intertwined. The smooth marble surface, subtly weathered over time, adds to the sculpture’s timeless presence, bridging the ancient world and modern appreciation.
Measurements: Height: 7 in, Length: 12 in
Weight: 2.6 lb
Material: Natural Wood
Disclaimer — As many of our items are vintage or made by hand from natural wood, natural variations, markings, and signs of age are part of their unique character.
This black-and-white photographic print captures its subject with striking clarity and timeless elegance. The interplay of light and shadow highlights form and texture, transforming a moment into a work of art. Its monochromatic palette emphasizes mood and composition, inviting viewers to engage deeply with the image.
Photography by Gareth L. Jones.
297mm×420mm. 300gsm. Photographic Quality Print.
Measurements: Height: 7 in, Length: 12 in
Weight: 2.6 lb
Material: Natural Wood
Disclaimer — As many of our items are vintage or made by hand from natural wood, natural variations, markings, and signs of age are part of their unique character.
The Bozo (Bambara) are a Mande ethnic group located predominantly along the Niger River in Mali. The name Bozo is thought to derive from Bambara "straw house"; the people accept it as referring to the whole of the ethnic group but use more specific clan names such as Sorogoye, Hain, and Tieye themselves. They are famous for their fishing and are occasionally referred to as the "masters of the river" The mask/helmet is made and worn each year during the harvest masquerade that is centered in the region around the Bamana city of Segou. This is a long tradition found in that area. Performed today by the young men of the region it was first adapted from the Bozo people living along the Niger River. Dance troops of young men, members of local youth groups, sing, dance, drum, and manipulate puppets in creating performances called Sogo Bo. Though considered to be a form of entertainment the performances are directed towards a description of the moral universe and the imperfection of humans and the need to educate people as regards ethical behavior and how to attain a religious way of life. The dimension is 33 inches high, 9 inches wide, and 6 inches thick.
Measurements: Height: 7 in, Length: 12 in
Weight: 2.6 lb
Material: Natural Wood
Disclaimer — As many of our items are vintage or made by hand from natural wood, natural variations, markings, and signs of age are part of their unique character.
Antelope Mask, Guro or Baule people, Honolulu Museum of Art, 5104.1 is a striking example of West African ritual sculpture in the Honolulu Museum of Art’s collection. Attributed to either the Guro or Baule peoples of Côte d’Ivoireand dating to the 19th century, this carved and blackened wood mask with brass details embodies the sophisticated artistic traditions of its makers.
Characterized by its elongated form and stylized antelope features, the mask likely served in ceremonial contexts tied to masquerade performances that animate spirit beings and honor community values. Masks with animal motifs such as antelope were often worn during dances associated with agricultural rites, social regulation, or the mediation of interpersonal and supernatural tensions.
The antelope’s elegant horns and expressive visage not only showcase the sculptural finesse of its creator but also evoke themes of vitality and harmony between humans and the natural world. Today, this rare object stands as a testament to the cultural depth of Ivorian masquerade traditions and continues to engage museum audiences with its powerful presence.
Measurements: Height: 7 in, Length: 12 in
Weight: 2.6 lb
Material: Natural Wood
Disclaimer — As many of our items are vintage or made by hand from natural wood, natural variations, markings, and signs of age are part of their unique character.
This black-and-white photographic print captures its subject with striking clarity and timeless elegance. The interplay of light and shadow highlights form and texture, transforming a moment into a work of art. Its monochromatic palette emphasizes mood and composition, inviting viewers to engage deeply with the image.
Photography by Gareth L. Jones.
297mm×420mm. 300gsm. Photographic Quality Print.
Measurements: Height: 7 in, Length: 12 in
Weight: 2.6 lb
Material: Natural Wood
Disclaimer — As many of our items are vintage or made by hand from natural wood, natural variations, markings, and signs of age are part of their unique character.
This rare African mask, adorned with a dramatic crown of natural feathers, embodies the spiritual vitality and ceremonial grandeur of its originating culture. Hand-carved from hardwood and enriched with organic pigments, fiber, and raffia bindings, the mask reflects a masterful balance between sculptural precision and symbolic abstraction. The layered feathers—carefully arranged to amplify height and movement—suggest transformation, ascension, and communication with ancestral realms. Such masks are traditionally worn during initiation rites, harvest festivals, or funerary ceremonies, where performance, dance, and music activate their full meaning. The patina and subtle wear speak to lived ritual history, elevating the piece beyond artifact into a vessel of communal memory and sacred presence.
Measurements: Height: 7 in, Length: 12 in
Weight: 2.6 lb
Material: Natural Wood
Disclaimer — As many of our items are vintage or made by hand from natural wood, natural variations, markings, and signs of age are part of their unique character.
This black-and-white photographic print captures its subject with striking clarity and timeless elegance. The interplay of light and shadow highlights form and texture, transforming a moment into a work of art. Its monochromatic palette emphasizes mood and composition, inviting viewers to engage deeply with the image.
Photography by Gareth L. Jones.
297mm×420mm. 300gsm. Photographic Quality Print.
Measurements: Height: 7 in, Length: 12 in
Weight: 2.6 lb
Material: Natural Wood
Disclaimer — As many of our items are vintage or made by hand from natural wood, natural variations, markings, and signs of age are part of their unique character.
This marble side table by the Italian design brand Formaminima is a handcrafted sculptural object, typically part of their Archive Collection. Solid marble. Made in Italy using a patented marble working technique that gives the look of a solid marble block but keeps the piece relatively lightweight.
Measurements: Height: 7 in, Length: 12 in
Weight: 2.6 lb
Material: Natural Wood
Disclaimer — As many of our items are vintage or made by hand from natural wood, natural variations, markings, and signs of age are part of their unique character.
This elegant Senufo bench embodies the refined simplicity and functional beauty characteristic of traditional carving from the Senufo peoples of West Africa. Carved from a single piece of wood, the elongated seat rests on four sturdy, tapered legs, creating a balanced and grounded form. At one end, a gently arched headrest provides support, suggesting its use as a resting platform or personal bench. The surface bears a rich, timeworn patina, with subtle variations in tone and texture that attest to years of use and handling. Objects of this type were often associated with respected elders or members of initiation societies, where they served both practical and symbolic purposes. Today, the bench stands as a compelling example of Senufo craftsmanship—its understated lines, harmonious proportions, and organic presence reflecting the cultural value placed on utility, dignity, and sculptural elegance.
40cm H x 196cm x 38cm
Measurements: Height: 7 in, Length: 12 in
Weight: 2.6 lb
Material: Natural Wood
Disclaimer — As many of our items are vintage or made by hand from natural wood, natural variations, markings, and signs of age are part of their unique character.
Rare art chair produced and design by Finn Stone in 1990. These were made in fibreglass as prototypes but ( a small batch were hand cast in Aluminium).
Super Thick casting so very strong takes any weight. Signed.
Height - 32inches
Length - 24L
“Tasjaki” by Purienne is a photography book by South African photographer Henrik Purienne, published by IDEA Books. It’s a limited-edition art/photobook featuring intimate, often nude imagery of Purienne’s partner and muse, Natasja Madsen (nicknamed Tasjaki), and celebrates their life together as captured through his lens.
Edition: 1,500. Softcover in card covers with a card slipcase. Published by IDEA. Edition 1500. 22 cm x 30 cm. 224 pages.
Measurements: Height: 7 in, Length: 12 in
Weight: 2.6 lb
Material: Natural Wood
Disclaimer — As many of our items are vintage or made by hand from natural wood, natural variations, markings, and signs of age are part of their unique character.
The African Fertility Wood Carving Statue (Ashanty) is a vintage collectable piece originating from Africa. This intricately carved statue represents the Ashanty tribe's traditional beliefs and practices surrounding fertility and spirituality. With its rich cultural significance and historical charm, this piece of African art would make a unique and captivating addition to any collection of ethnographic collectables.
Measurements: Height: 14.5in, Length: 1.5in, Width: 4.5in
Weight: 1.5lb
Material: Natural Wood
Disclaimer — As many of our items are vintage or made by hand from natural wood, natural variations, markings, and signs of age are part of their unique character.
This is a Effezeta Designer Italian Chair from the 1980s. Designed and made in Italy, the chair is sure to be a statement piece in any room, showcasing a classic historically important design that is both functional, comfortable and aesthetically pleasing.
Measurements: Height: 7 in, Length: 12 in
Weight: 2.6 lb
Material: Natural Wood
Disclaimer — As many of our items are vintage or made by hand from natural wood, natural variations, markings, and signs of age are part of their unique character.
This rare African mask is notable for its bold simplicity and striking sculptural presence. Carved with a broad circular form, the face is rendered with softly modeled features—narrow, contemplative eyes, a prominent triangular nose, and a restrained mouth—creating a sense of calm authority and introspection. The large, rounded ears project outward from the sides, balancing the composition and reinforcing the mask’s powerful symmetry. Its dark, weathered patina, marked by areas of wear and age, suggests long use and careful handling, likely within ceremonial or communal contexts where such objects served as mediators between the visible and spiritual worlds. The mask’s minimalist aesthetic and strong geometric clarity embody the sophisticated visual language of traditional African carving, making it both a culturally significant ritual object and a compelling work of sculptural art.
Measurements: Height: 7 in, Length: 12 in
Weight: 2.6 lb
Material: Natural Wood
Disclaimer — As many of our items are vintage or made by hand from natural wood, natural variations, markings, and signs of age are part of their unique character.
This elegant off-set lithograph after Amedeo Modigliani captures the unmistakable refinement and poetic intensity that define the artist’s vision. Measuring 50 x 70 cm, the composition exemplifies Modigliani’s signature aesthetic—elongated forms, sculptural contours, and a quiet, introspective gaze that bridges modernity and timeless classicism. The balanced proportions and subtle tonal gradations highlight the lyrical linearity that made his portraits and figures instantly recognizable within the School of Paris.
Issued with the “Archives Paris” designation and signed on the plate, this lithograph reflects both authenticity of image and fidelity to the original artistic intent. The off-set process preserves the delicacy of Modigliani’s line while offering clarity and depth across the surface. A sophisticated addition to any modern art collection, the work pays homage to one of the most distinctive voices of early twentieth-century art.
Measurements: Height: 7 in, Length: 12 in
Weight: 2.6 lb
Material: Natural Wood
Disclaimer — As many of our items are vintage or made by hand from natural wood, natural variations, markings, and signs of age are part of their unique character.
Africa
Wood, patina
20th century
Carved from a single block of wood, this stool embodies the sculptural elegance and functionality characteristic of African furniture traditions. Its smooth, timeworn surface shows signs of age and use, adding depth to its patina.
Stools throughout Africa are more than utilitarian objects; they often carry cultural and symbolic meaning. In many societies, they are associated with status, authority, and personal identity, serving as an extension of the owner. Passed down through generations, stools are treasured for both their practicality and their artistry.
Measurements: Height: 7 in, Length: 12 in
Weight: 2.6 lb
Material: Natural Wood
Disclaimer — As many of our items are vintage or made by hand from natural wood, natural variations, markings, and signs of age are part of their unique character.
This commanding 120 cm traveler mask, known locally as a "Calao" or hornbill crest mask, originates from the Senufo people of northern Ivory Coast. Crafted for initiation rites and community ceremonies—especially within the Poro society—these masks symbolize powerful ancestral and spirit forces. The sleek, detachable head and elegant body lend agility to the dancer’s movements during rituals that mark important transitions. Meticulously carved from a single piece of indigenous hardwood, the mask’s bold hornbill crest (calao) references the sacred bird revered in Senufo spirituality. Its stained surface reflects both ceremonial purpose and aesthetic refinement. The mask retains its authentic patina—subtle cracks and age marks that testify to decades of cultural significance. Standing at an impressive 120 cm, this Calao traveler mask makes a striking artistic centerpiece—perfect for collectors, connoisseurs, or modern interiors seeking a bold narrative of West African heritage.
This Baoulé chair is a wonderfully charismatic small chair in wood that will add a genuine African touch to any room or space. Our Baoulé chairs are curated in villages in Ivory Coast where they are still used for different cermonies and gatherings. They are vintage and are estimated mid-century. These chairs are rapidly becoming collector's items. They are sculpted by hand from different pieces of wood. Minor imperfections are inherent to the vintage nature of this Baoulé chair. DIMENSIONS Heigth 56 cm Width 58 cm Depth 36 cm
Nadia Lee Cohen by Scarlett Carlos Clarke
Comb-bound book with black card covers and white silkscreen printed title
18 x 13cm
128 pages
Limited edition of 500
NB: Cover image shows probable condition of your book after one year of ownership!
A striking and sculptural presence, this large Senufo hornbill commands attention with its bold form and beautifully aged surface. Hand-carved in wood, the piece embodies the distinctive aesthetic of Senufo artistry, its elongated proportions and rhythmic geometry creating a powerful visual statement. The rich patina speaks to age and authenticity, lending depth and character that only time can achieve. A minor loss to one of the верхmost wooden spikes does little to diminish its impact, instead adding to the narrative of its journey.
Originating from one of West Africa’s most culturally significant artistic traditions, this work reflects the legacy of the Senufo peoples, whose refined visual language is deeply intertwined with spiritual and social life. Sculptures of this scale and presence are often associated with representations of ancestral forces or symbolic bird forms, evoking authority, protection, and continuity within the community.
Impressive in both scale and provenance, the piece measures 17.5 inches wide, 16.75 inches deep, and stands an imposing 64 inches high—an exceptional addition to any sophisticated interior or curated collection.
17.5ʺ wide, 16.75ʺ deep, 64ʺ high.
A rare Senufo mask, originating from the Senufo peoples of West Africa, embodies a refined balance between spiritual symbolism and masterful craftsmanship. Carved from wood and often adorned with pigments or natural fibers, such masks are not merely decorative objects but vital instruments in ritual life, particularly within the Poro society—an institution central to social, educational, and spiritual practices. The elongated facial features, stylized horns, and abstracted animal or human forms reflect a worldview in which the physical and spiritual realms are deeply intertwined. Each contour and motif carries layered meanings, representing ideals such as moral discipline, ancestral guidance, and harmony with nature. As a gallery piece, the mask commands quiet reverence, inviting viewers to consider not only its aesthetic elegance but also the cultural narratives and ceremonial significance it once held within its original context.
Dimensions: H: 49cm (19.3")
Carved by a skilled Senufo artisan, likely in the mid-20th century, this sejen hornbill figure combines artistic precision with profound cultural symbolism. The elongated beak, upright posture, and geometric contours evoke the hornbill’s revered place in Senufo spirituality, symbolising fertility and ancestral continuity.
The surface is painted in red, black, and white pigments, arranged in patterns that highlight the figure’s carved details. Small metallic elements are integrated into the wings and body, while the circular base is carved from the same piece of wood. The figure’s bold painted patterns and symbolic motifs reflect its importance in Poro society rituals, where it was used to teach and embody values of fertility, continuity, and ancestral reverence within Senufo traditions.
A Dogon granary door, carved by the Dogon people of Mali, is both a functional object and a profound expression of cultural identity and cosmology. Traditionally used to secure family granaries and protect valuable food supplies, these wooden doors are richly adorned with relief carvings that convey layered meanings. Human figures, ancestral couples, nommo (primordial beings), and geometric patterns are arranged in structured compositions that symbolize fertility, social order, and the continuity of life. The repeated motifs often reflect the Dogon understanding of the universe, where harmony between the earthly and spiritual realms is essential. Weathered by time, the surface acquires a patina that enhances its visual depth and authenticity. In a gallery setting, the granary door stands as a testament to the Dogon’s sophisticated artistic language, where utility and symbolism merge seamlessly into a powerful narrative of protection, sustenance, and belief.
This Baga Nimba carved wood figurine from Guinea embodies the cultural heritage and spiritual traditions of the Baga people. Expertly crafted from natural materials, its intricate detailing reflects both the artistry and ritual significance of the tribe. A striking piece that brings depth and authenticity to any collection or interior.
Measurements: Height: 12in, Length: 7in, Width: 5.5in
Weight: 2.5lb
Material: Solid Red Wood
Disclaimer — As many of our items are vintage or made by hand from natural wood, natural variations, markings, and signs of age are part of their unique character.
A rare Lega people Bwami mask from the eastern Democratic Republic of the Congo embodies the spiritual and moral philosophy of the Bwami society, a graded initiatory association central to Lega cultural life. Carved in wood and traditionally coated with layers of white kaolin clay (pembe), the mask’s serene, heart-shaped face and almond eyes reflect ideals of wisdom, restraint, and ethical conduct. Rather than serving as a purely performative object, such masks functioned as visual teachings—presented during initiation rites to convey proverbs, ancestral knowledge, and social values. The subtle patina and traces of ritual handling attest to its ceremonial use, situating the work not only as a sculptural achievement but as a vessel of communal memory and spiritual authority.
Measurements: Height: 11 in, Length: 3 in, Width: 6.5in
Weight: 1 lb
Material: Natural Wood
Disclaimer — As many of our items are vintage or made by hand from natural wood, natural variations, markings, and signs of age are part of their unique character.
Wooden low chair, likely Southeast Asian. Tall back and low seat suit floor-level or low tea tables for relaxed seating. Seat and backrest each carved from a single thick plank; the two-part construction is simple, modern, and undecorated. Practical yet sculptural—part folk craft, part art. Surface has developed a deep patina; back and underside show raw grain. A repaired crack on the backrest and splits near the feet do not affect use; aging and repair add character. Stable seating with slight rattling—felt pads recommended. Solid 14.15 kg weight. Versatile with modern, minimalist, Japanese, Asian, or industrial interiors. Item No.: CH056 Weight: 14.15 kg
Measurements: Height: 7 in, Length: 12 in
Weight: 2.6 lb
Material: Natural Wood
Disclaimer — As many of our items are vintage or made by hand from natural wood, natural variations, markings, and signs of age are part of their unique character.
The Senoufo Stool XL is a striking celebration of West African artistry, inspired by the traditional seats of the Senufo people of Côte d’Ivoire, Mali, and Burkina Faso. Hand-carved from a single block of hardwood, its sculptural silhouette features a gently curved seat supported by sturdy, tapered legs—an elegant balance of strength and refinement. Traditionally used in ceremonial and domestic settings, Senufo stools symbolize status, community, and ancestral connection. In its XL form, this piece commands attention as both functional seating and collectible art object, bringing warmth, texture, and cultural depth to contemporary interiors.
Measurements: Height: 7 in, Length: 12 in
Weight: 2.6 lb
Material: Natural Wood
Disclaimer — As many of our items are vintage or made by hand from natural wood, natural variations, markings, and signs of age are part of their unique character.
Large 19th-century high-backed throne/chair, Jinka region, Ethiopia. Carved from a single dense brown wood with deep glossy patina. Incised decoration on front and back of the backrest. Uncommonly large and comfortable for Ethiopian chairs of this age. Ex private collection, Addis Ababa. Period: late 19th century. H: 100 cm; seat dia.: 49 cm; seat ht.: 42 cm.
Measurements: Height: 7 in, Length: 12 in
Weight: 2.6 lb
Material: Natural Wood
Disclaimer — As many of our items are vintage or made by hand from natural wood, natural variations, markings, and signs of age are part of their unique character.
This orange leather armchair by Italian designer Adriano Piazzesi encapsulates the bold spirit of 1970s Italian modernism, blending sculptural form with tactile luxury. Upholstered in a rich orange-toned leather — evocative of the era’s vibrant design palette — the piece rests upon a sleek chromed tubular frame that emphasizes its dynamic silhouette. The generously cushioned seat and back contrast with the polished metal structure, creating a fusion of comfort and visual drama that feels equally at home in a contemporary living space or a curated design collection. With its expressive colour and elegant proportions, this chair stands as a standout example of Piazzesi’s ability to marry Italian craftsmanship with timeless aesthetic appeal.
Measurements: Height: 7 in, Length: 12 in
Weight: 2.6 lb
Material: Natural Wood
Disclaimer — As many of our items are vintage or made by hand from natural wood, natural variations, markings, and signs of age are part of their unique character.
A 1950s converted British heat lamp by Soltan.
Country of Manufacture - United Kingdom
Attribution Marks - This piece has an attribution mark such as a manufacturer’s label
Detailed Condition - Good, shows some sign of age through scuffs, dings, faded finishes.
A professional electrician has rewired this piece to be in working order.
Restoration and Damage Details - Light wear consistent with age and use, Rewired and/or new electrical components
Plug Type - UK Plug (up to 250V)
Materials - Metal
Colour - Silver
Measurements: Height: 9.5 in, Length: 12 in
Weight: 2.6 lb
Material: Natural Wood
Disclaimer — As many of our items are vintage or made by hand from natural wood, natural variations, markings, and signs of age are part of their unique character.
Yves Saint Laurent’s fascination with African art—particularly the symbolic power and sculptural elegance of the Senufo bird—played a pivotal role in shaping the collector’s eye of Louis. Encountering YSL’s celebrated Senufo bird sculpture, Louis was struck not only by its commanding presence but also by its cultural resonance and refined aesthetic balance. Inspired by the way Saint Laurent elevated such an object within a contemporary interior, Louis became determined to source an authentic Senufo bird sculpture of comparable size and value. His pursuit was guided by a desire to capture that same dialogue between tradition and modernity, ultimately leading him to acquire a piece that echoed the stature, craftsmanship, and spiritual symbolism that had so captivated him in YSL’s collection.